Artist: Qalandar
Genre(s):
Ambient
Discography:
Black Rose
Year: 1999
Tracks: 7
DJ Mendez
Monday, 30 June 2008
Tuesday, 24 June 2008
Junior Varsity
Artist: Junior Varsity
Genre(s):
Indie
Other
Discography:
Wide Eyed
Year: 2005
Tracks: 11
The Playoff
Year: 2004
Tracks: 13
With their combination of 50's adolescent pop and cheerleader microscope stage presence, Junior Varsity could easily provide the soundtrack of whatever high school peppiness mass meeting. Originally consisting of Matt Murillo (drums/ vocals), Kim Hammond (bass/ vocals), DJ Butchie Cordell and Sean McManus (guitar/ vocals), this Houston triplet arrest the self-described effectual of "frat-hop" as they also portion a love for beach movies and three-chord strong-armer. A number of compilation contributions and singles eventually followed 'tween 1996 to 1998 earlier Junior Varsity's first full-length Bam Bam Bam came out in 1998. This acquittance featured the debut of new fellow member Rebecca Whitley, world Health Organization linked afterwards the exit of McManus.
Sunday, 22 June 2008
Valery Gergiev
Artist: Valery Gergiev
Genre(s):
Folk
Discography:
Russian Album
Year: 2007
Tracks: 12
Grey's Anatomy star cast by Irish director
Saturday, 21 June 2008
Toadies expand tour plans
The Toadies [ tickets ], who are gearing up for their first full-blown US tour since disbanding in 2001, have rolled out a new batch of shows, most of which focus on the Texas-based group's home turf.The new additions to the group's schedule include several July dates in the Midwest, an early August appearance at Chicago's Lollapalooza festival, and a number of August and September dates around the Lone Star State. Details are included below.Among the new dates is an Aug. 31 event in Graham, TX, dubbed Dia De Los Toadies. In addition to a headlining set from the inaugural festival's namesake, the show will also include performances from Lions, Dove Hunter, The Backsliders and Tejas Brothers. More information is available at the event's website.The upcoming roadwork will couch the Aug. 19 release of "No Deliverance," the Toadies' first new album since 2001's "Hell Below/Stars Above." The Toadies rose to fame in the midst of the grunge era with their 1994 Interscope debut, "Rubberneck." The set spawned several hits, including "Possum Kingdom," "Away," "Tyler" and "I Come from the Water." Interscope reportedly spiked the band's planned 1998 follow-up, which the group eventually reworked for release in 2001 under the title "Hell Below/Stars Above." Five months after that album hit the street, frontman Todd Lewis announced that the group was breaking up, and cited bassist Lisa Umbarger's departure from the lineup as the catalyst for the split.The band--sans Umbarger, who remains detached from the group--eventually played a handful of well-received reunion shows in Texas between 2005 and 2007.The group's performance at 2007's St. Patrick's Day parade in Dallas surfaced later in the year in the form of a live album titled "Rock Show," and Lewis has left the door open to a possible new studio album, according to the band's online bio.
Magyar Posse
Artist: Magyar Posse
Genre(s):
Indie
Discography:
Kings Of Time
Year: 2004
Tracks: 7
Dave Alvin remembers Bo Diddley
Jape - Ritual
"Songwriting keeps me sane," so declared Jape, aka Richie Egan, in a recent interview with The Irish Times. "What gets me through the night, so to speak, is songwriting."
Like any set of actions or regular imposed religious event, Egan's ritual has become the pouring out of his head and heart through synth effects, guitars, weird, humorous lyrics and electronic beats. On this, his third album as Jape, he's got better at it. Much better.
While 2003's 'Cosmosphere' bore hints of an emerging talent, 2004's patchy 'The Monkeys in the Zoo Have More Fun Than Me' at least cemented the fact that Egan was capable of twisting his gift for melody around interesting dabs of guitar and electronica, often to spectacular effect. Opener 'Floating' stood a mile apart from anything else he'd previously done and pointed to a future great album in the offering.
In the intervening four years since, Egan has enjoyed mixed fortunes. 'Floating' was memorably covered by Jack White's Raconteurs outfit, bringing Egan to the attention of record labels and media in the UK. After a mini-bidding war and with 'Ritual' near completion, Egan elected to sign with V2 in early 2007. Not long after, however, the label went bust and Egan's songs currently reside with an independent label, Co-Op.
The intervening years have seen his songwriting improve two-fold; while he's also brought more focussed structure to his experimentation. Breaking it down, 'Ritual' is at its heart a pop record - and in the most brilliant sense of the genre; Egan tripping through the various emotions which have pushed each song out, with bags of melody and increased BPM. Throughout he takes us up and down like a great DJ might, though crucially the 'down' tracks are amongst the best on 'Ritual'.
Proceedings get underway at a measured pace with 'Christopher and Anthony', before Egan really shows off his new confidence and skill with his electronic toys on the sharp, dance-floor stomper 'I Was a Man' - 'Ritual's indie-hit in waiting. LCD Soundsystem's James Murphy will be green with envy.
'Graveyard' and 'Replays' fizz as the feast of danceable pop continues to flow, before Egan displays a different shade to his songwriting. A natural storyteller, the stripped back acoustic 'Phil Lynott' is an undoubted highlight, mixing humour and seriousness through raw, emotional thoughts as Egan reflects: "One day I will be a dead man who plays the bass from Crumlin/Like Phil Lynott."
The simple 'At the Heart of All of This Strangeness' is arguably the album's finest moment with Egan's vocal at its emotive best as he plucks a gorgeous melody from an acoustic guitar, while pausing for added affect at pivotal moments in the song. It's a genuinely great melancholic song of loss and feeling lost.
The beats come crashing back with added attitude on the electro strut of 'Strike Me Down', before the journey comes to dream-like conclusion with the spacey 'Nothing Lasts Forever', a song about death and religious ritual, which brings the album full-circle.
Throughout there is little room for boredom on 'Ritual', Egan ensuring the listener rarely stays on one course, instead drifting down electronic side streets at varied pace. There's not a bad song here and 'Ritual' should see off all other competition to be named the Irish album of 2008. Where Egan takes Jape from here will only be interesting.
Steve Cummins
Like any set of actions or regular imposed religious event, Egan's ritual has become the pouring out of his head and heart through synth effects, guitars, weird, humorous lyrics and electronic beats. On this, his third album as Jape, he's got better at it. Much better.
While 2003's 'Cosmosphere' bore hints of an emerging talent, 2004's patchy 'The Monkeys in the Zoo Have More Fun Than Me' at least cemented the fact that Egan was capable of twisting his gift for melody around interesting dabs of guitar and electronica, often to spectacular effect. Opener 'Floating' stood a mile apart from anything else he'd previously done and pointed to a future great album in the offering.
In the intervening four years since, Egan has enjoyed mixed fortunes. 'Floating' was memorably covered by Jack White's Raconteurs outfit, bringing Egan to the attention of record labels and media in the UK. After a mini-bidding war and with 'Ritual' near completion, Egan elected to sign with V2 in early 2007. Not long after, however, the label went bust and Egan's songs currently reside with an independent label, Co-Op.
The intervening years have seen his songwriting improve two-fold; while he's also brought more focussed structure to his experimentation. Breaking it down, 'Ritual' is at its heart a pop record - and in the most brilliant sense of the genre; Egan tripping through the various emotions which have pushed each song out, with bags of melody and increased BPM. Throughout he takes us up and down like a great DJ might, though crucially the 'down' tracks are amongst the best on 'Ritual'.
Proceedings get underway at a measured pace with 'Christopher and Anthony', before Egan really shows off his new confidence and skill with his electronic toys on the sharp, dance-floor stomper 'I Was a Man' - 'Ritual's indie-hit in waiting. LCD Soundsystem's James Murphy will be green with envy.
'Graveyard' and 'Replays' fizz as the feast of danceable pop continues to flow, before Egan displays a different shade to his songwriting. A natural storyteller, the stripped back acoustic 'Phil Lynott' is an undoubted highlight, mixing humour and seriousness through raw, emotional thoughts as Egan reflects: "One day I will be a dead man who plays the bass from Crumlin/Like Phil Lynott."
The simple 'At the Heart of All of This Strangeness' is arguably the album's finest moment with Egan's vocal at its emotive best as he plucks a gorgeous melody from an acoustic guitar, while pausing for added affect at pivotal moments in the song. It's a genuinely great melancholic song of loss and feeling lost.
The beats come crashing back with added attitude on the electro strut of 'Strike Me Down', before the journey comes to dream-like conclusion with the spacey 'Nothing Lasts Forever', a song about death and religious ritual, which brings the album full-circle.
Throughout there is little room for boredom on 'Ritual', Egan ensuring the listener rarely stays on one course, instead drifting down electronic side streets at varied pace. There's not a bad song here and 'Ritual' should see off all other competition to be named the Irish album of 2008. Where Egan takes Jape from here will only be interesting.
Steve Cummins
The Insiders
Artist: The Insiders
Genre(s):
Drum & Bass
Discography:
31R029
Year: 2005
Tracks: 2
Renegade (RR47)
Year: 2004
Tracks: 2
NU12015
Year: 2003
Tracks: 2
Nu Directions (NU12015)
Year: 2003
Tracks: 2
PIVOTAL016
Year: 2002
Tracks: 2
Impressive celebrity turnout at 'A Time for Heroes Celebrity Carnival': Photos
Lauren Conrad at the 19th Annual 'A Time for Heroes Celebrity Carnival' on Sunday, June 8, 2008 . Photo Credit: Tina Gill / PR Photos
June 9, 2008 () - The 19th Annual A Time for Heroes Celebrity Carnival at the Wadsworth Theater in Los Angeles on Sunday, June 8, 2008 saw an impressive celebrity turn out that included Courtney Cox, Denise Richards, Lauren Conrad, Marcia Cross and Mischa Barton
The event was sponsored by Disney and benefited the Elizabeth Glaser Pediatric AIDS Foundation.
June 9, 2008 () - The 19th Annual A Time for Heroes Celebrity Carnival at the Wadsworth Theater in Los Angeles on Sunday, June 8, 2008 saw an impressive celebrity turn out that included Courtney Cox, Denise Richards, Lauren Conrad, Marcia Cross and Mischa Barton
The event was sponsored by Disney and benefited the Elizabeth Glaser Pediatric AIDS Foundation.
Angelina Jolie - Jolie Wants To Emulate Fords Action Career
ANGELINA JOLIE has refused to rule out starring in action films when she is older, hailing HARRISON FORD as a perfect example of an ageing action hero.
The Hollywood star loves the physical side of filming for movies like Mr. and Mrs Smith and Wanted, and hopes to be able to continue pursuing such roles when she is more mature.
She tells MTV.com, "I think there's always going to be a side of me.
"Harrison (Ford) is doing it, and he's doing it well. (So) it looks like I've got some more time."
Ford, 65, recently starred in Indiana Jones and the Kingdom of the Crystal Skull - the fourth installment of the adventure franchise - performing the majority of his stunts all by himself.
See Also
Medeski Martin and wood
Artist: Medeski Martin and wood
Genre(s):
Jazz
Other
Discography:
End of the World Party (Just in Case) (Blue Note)
Year: 2004
Tracks: 12
Electric Tonic
Year: 2001
Tracks: 10
Notes From The Underground
Year:
Tracks: 1
Sludge
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